![]() If you like wide, the Viltrox 13mm is hard to beat - very sharp across the frame, even wide open at f/1.4, fast/silent AF (it also manual focuses beautifully), very high quality construction, and the price is very reasonable too. The Fuji 14 f/2.8 is small and excellent too, but is only f/2.8 (which may be fine), I shoot with my 16-55 f/2.8 at night/low light all the time with good results. There are several beneficial reasons to shoot with a wide open aperture, aside from simply liking the result. it is very small, but isn’t likely quite in the same league as the other three optically (but is still likely very good). ![]() I haven’t used the new Samyang/Rokinon 12mm f/2. The Viltrox 13mm f/1.4 is also phenomenal and sports good DOF even wide open, but isn’t all that small either (fine for me). The 18 f/1.4 is phenomenal, but pricey, not all that small, and may need to be stopped down a bit for enough DOF (same goes for the 16mm f/1.4, though not as sharp as the 18) The maximum aperture is usually written on the lens as 1:XX (where XX is the widest ‘opening’ or aperture the lens can produce. The longer the focal length, the less DOF you’ll have to work with at very wide apertures, so I like a wider lens for low light (you can get away with a slower SS too). Viltrox 56mm F1.4 Autofocus Lens for Fujifilm Wide Aperture APS-C Format for Fujifilm X-Mount Cameras with Upgrade USB Port : : Electronics. The 18 f/2 sounds good in theory, but it’s not all that sharp at f/2 (or across the entire frame at any aperture), it is capable of producing nice images, though. If anything is moving in your shots, a fast aperture is generally preferable to a slower one with stabilization. Would the 18mm F2 without stabilisation be better than this?Īre there any other small lenses that may be suitable? The wider the better. Sony FE 35mm F1.8 large aperture full - frame E - mount prime lens. Seven-blade rounded diaphragm for smoother bokeh. I currently have the XC 15-45mm with the image stabilisation. 1 day ago &0183 &32 Linear and non-linear focus support on L mount. Canon EF 50mm f/1.I need a small compact lens for night photography (street). Further good news is that there’s an affordable 50mm f/1.8 lens available for most cameras. ![]() However, on an APS-C format camera it produces an equivalent focal length of around 75mm, which is great for portraiture, and if the maximum aperture is f/1.8 you can really throw out the background to get some lovely bokeh and background blur. On a full-frame camera, a 50mm lens produces an angle of view that’s close to what we see with our eyes. Prime lenses are available in all sorts of focal lengths but 35mm and 50mm lenses tend to be more attractive for low-light photography. A fast aperture lens has a wider maximum aperture, typically f/1.4, f/1.8, or f/2.8, which allows more light to enter the camera. ![]() They’re also often small and lightweight, which makes them discreet to use and attractive to carry just in case you find yourself out taking pictures when light levels are falling. Prime lenses are lenses with a fixed focal length and most have a larger aperture than a zoom lens covering the same focal length. Here though, we’re talking lenses, so to start off, we’re going to look at some cheap prime lenses with large apertures. A large aperture is always the preferred option when it comes to letting more light in, and it doesn’t have to be expensive.įor more low-light options, you can check out our guide to the best low-light cameras. An equivalent gain of light in those terms would mean shooting at 1/5sec rather than 1/50sec (a tall order to keep sharp, even with image stabilisation), or shooting at ISO 25,600 rather than ISO 2,500. What’s more, you got this without slowing your shutter speed, and potentially compromising sharpness, or raising your ISO, which would increase image noise. Swap that out for a 50mm prime with an aperture of f/1.8, and suddenly you’ve got 3.3EV (3.3 stops) more light hitting your camera sensor. Say you’re using a kit zoom, and it has a maximum aperture of f/5.6 when used at its maximum focal length of 55mm. Wide Angle Lenses produce a field of view larger than our standard vision & usually range. Once youve decided the focal length and aperture, focus the lens at the. How does a good lens extend your low-light shooting range? There are a few key factors – as we’ll get into – but the key one is maximum aperture. F-stop is the ratio of lens focal length to aperture diameter. How to shoot for deep depth of field when using a wide angle lens (10-35mm). Low light portrait © Janko Ferlič on Unsplash
0 Comments
Leave a Reply. |